Lavinia Fontana was an Italian painting who was known as the first female painter to paint female nudes. 2012. Pour les articles homonymes, voir Fontana. The present picture is a fine studio replica of the earliest known self-portrait by Lavinia Fontana, painted in 1575 and now preserved in a private Roman collection (M.T. Mar 16, 2015 - Find and follow posts tagged lavinia fontana on Tumblr. Italie, 1552-1614. 4 King, p. 67. . Perhaps Fontana truly valued virginity before marriage.. or perhaps she thought it was an absurd, sexist concept. The following post first appeared on Three Pipe Problem in March 2011. I appreciate your taking the time to let me know. An email notification will be sent whenever a new post appears on this site. Lavinia Fontana est l'unique enfant de Prospero Fontana et d'Antonia de' Bonardis. 4a.7, p. 64).Created as a marriage portrait for her … Although I appreciate your writing on Lavinia Fontana. Her family relied on her career as a painter, and her husband served as her agent and rai… Besides evoking interesting points about chastity and propriety, the inscriptions are a reminder that the status of a woman was based on marriage, even as she shed her own identity. Self Portrait in the Studiolo was painted for Alfonso Ciacon in 1579. Biography. Lavinia Fontana’s Self Portrait at the Keyboard of 1577 Self Portrait in the Studiolo, 1579 Leonardo Di Vinci said, “Painting excels and is superior in rank to music because it does not perish immediately after its creation, as happens unfortunately with music. L'auto-portrait a été peint par Lavinia Fontana donner à Saverio Zappi, son futur beau-en fait, elle a épousé en 1577 Giovan Paolo Zappi, appartenant à une famille noble d'Imola. I have written the following e-mail to Hasret Celalettin of Latrobe University in Australia. 25. Influenced by painters such as Ludovico Carracci and Sofonisba Anguissola and a practicer of Italian mannerist style, Fontana became highly successful with her detailed and delicate portraits. Maybe the servant’s actions are less important in comparison to the fact that she is bringing printed music (i.e. Your footnote no. (7), The musical instrument itself is a symbol both of love and financial status. As an art historian who is interested in female artists, I am particularly intrigued by the way that Lavinia Fontana chose to depict herself in self-portraits. 5 is Fue hija del pintor Prospero Fontana, pintor de la escuela de Bolonia, que le enseñó el oficio. Lavinia Fontana’s portrait of Antonietta Gonzalez c. 1595.
Whether she is preparing to write or draw is not evident, but this ambiguity portrays her as artistic, intellectual and creative all at the same time. If Mr. Niyazi was some pedestrian blogger I would not bother but Did she welcome the idea of marrying into a high status family or did she find them pompous bores? Also, because this portrait would be presented next to Sophonisba’s, Fontana most likely attempted to keep up with or even outdo her contemporary. Teised eraldusvõimed: 210 × 240 pikslit | 419 × 480 pikslit | 671 × 768 pikslit | 895 × 1024 pikslit | 4829 × 5527 pikslit. he definitely had very good insights into western art from which a much larger community Guest post by Katherine A. McIver, Professor Emerita of Art History, University of Alabama at Birmingham Thinking about the upcoming exhibition at the Prado, Madrid (October 2019) celebrating the Renaissance women artists Sofonisba Anguissola (1532–1625) and Lavinia Fontana (1552–1614) prompted me to revisit the self-portraits painted by these two women. Once again, Fontana is careful in how she has presented herself (in order to meet societal expectations). “Female Self-portraiture in early modern Bologna.” Renaissance Studies. Lavinia Fontana: Autoportrait au clavecin 1577 Huile sur toile - 270 × 240 mm Accademia Nazionale di San Luca, Rome . 2012. Do you, by chance, have any ideas? She is regarded as the first woman artist, working within the same sphere as her male counterparts, outside a court or convent. 2012. Thank you very much again, it really touches me that there are so many people who have so much respect for him and his passion. 5 Jul. Few artists, especially women artists, would risk expressing their true feelings in writing. (1988): 4-30. We have learned that his web site has now been taken down and the Nonetheless, we can see that Fontana wanted to portray herself in a certain way, especially since she knew that her image was intended for display alongside portraits of other prominent individuals. Renaud Camus has uploaded 26082 photos to Flickr. • 1577 : Autoportrait au clavicorde accompagné d'une servante, Accademia Nazionale di San Luca, Rome. See Liana De Girolami Cheney, et. Vintage Art. ), musée du château d'Udine, Frioul-Vénétie julienne, vendredi 26 août 2011, Explore Renaud Camus' photos on Flickr. Also, this uncertainty protected her from the “perception, inherited from her father, of the greater regard for scholars than for artists in Bologna.” (19) She is shown in a position which sends the message that she is inspired by both intellectual and creative activity. Commission yourself a portrait today! Although I am hopeful that the job market for women in academia is ever-improving (and equalizing), I think many women still feel cautious in how they present themselves in the academic world (in order to keep a competitive edge against men). I thought that this month I would post one or two of the guests posts that I wrote for Hasan’s blog. For one thing, I’m an art historian who is a woman. There are five self-portraits by Lavinia Fontana that are known: four paintings and one drawing. Later, it is believed that Fontana referenced herself in two more paintings: as Judith in Judith with the Head of Holofernes in 1600 and in a Madonna and Child with Five Saints from 1601, where she is portrayed as St. Barbara. Fontana's innovative Self-Portrait Making Music with a Maid-servant differs considerably from the image projected by her old-er counterpart, Sofonisba … Lavinia Fontana. 40. . which could be re-hosted? Lavinia Fontana, “Self-Portrait at the Spinet,” 1577. Of course, she marks the high status of Lavinia, but what exactly is she doing with musical sheets? Le Jour ni l'Heure 3744 : Lavinia Fontana Zappi, 1552-1614, autoportrait (? I will let you know if anything comes of it. Emma Barker, Nick Webb, and Kim Woods (London: Yale University Press, 1999), 72-74. She was a skilled portraitist and was often commissioned by weathly members of the Bolognese elite to create portraits to commemorate influential moments in their lives. Lavinia Fontana (August 24, 1552 – August 11, 1614) was an Italian painter. 11 McIver, Katherine. Le cadeau a été envoyé à l'occasion de la proposition de mariage, célébré le 13 Février 1577. Lavinia Fontana: Liste d'œuvres - Toutes les œuvres par date 1→10. Biographie. I think this Latin inscription is rather interesting, since it is indicative of the social situation for female Renaissance artists. email@example.com, Lavinia Fontana’s Self Portrait at the Keyboard of 1577, Leonardo Di Vinci said, “Painting excels and is superior in rank to music because it does not perish immediately after its creation, as happens unfortunately with music. (21). A la différence de sa consoeur ainée, spécialisée dans les portraits, elle exécutait des grandes commandes publiques aux sujets mythologiques et … For instance, my mother and women of her generation still signed their names as Mrs. Husband’s Name, as if they were subsumed by their marriage. 1) ou encore Artemisia Gentileschi15 qui se représentent en musiciennes. ), musée du château d'Udine, Frioul-Vénétie julienne, vendredi 26 août 2011, Explore Renaud Camus' photos on Flickr. For an example of extreme modesty in portraiture, see Sophonisba Anguissola’s Self-Portrait from c. 1555, in which she modestly covers herself with a mirror (which she protectively places in front of her body like a shield). She is best known for her successful portraiture, but also worked in the genres of mythology and religious painting. ), musée du château d'Udine, Frioul-Vénétie julienne, vendredi 26 août 2011, Explore Renaud Camus' photos on Flickr. Autoportrait au clavecin (1577) Huile sur toile, 27 × 24 cm, Accademia di San Luca, Rome. Hello Monica, -Self Portraits- -Noblewomen- -Gozzadini Family Portrait- -Tognina Gonzales- -Extended Bibliography-
I assumed that she is bringing music for Lavinia to play. My discussion of the red knot came from the Caroline Murphy text (2003) that I mentioned in the fifth footnote, but she must have gotten that information from your previously-published/presented work. She is regarded as the first female career artist in Western Europe as she relied on commissions for her income. 1600. Dans le premier peint en 1577 nous la retrouvons installée devant un clavecin, les mains s’agitant au-dessus du clavier. Son père est peintre de la contre-réforme très en vogue auprès des papes. Her earliest known work, "Child of the Monkey", was painted in 1575 at the age of 23. She has strong posture and her eyes gaze directly forward to the viewer. (14) It is clear that the portrait was influenced by Sofonisba Anguissola’s own Self Portrait Making Music with a Maidservent from 1561, but has also been compared to several other portraits of women at the keyboard. Voir plus d'idées sur le thème femme peintre, peintres italiens, peintre. ), musée du château d'Udine, Frioul-Vénétie julienne, vendredi 26 août 2011, Explore Renaud Camus' photos on Flickr. Fontana looks confident and comfortable in her environment, even though this is the only self-portrait from the sixteenth century in which a female is seem studying the antique nude. Lavinia Fontana (Bologne 1552 – Rome 1614) Vénus et l’amour 1592, Huile sur toile l Dépôt de l’Etat, 1874 l Inv. The present picture is a fine studio replica of the earliest known self-portrait by Lavinia Fontana, painted in 1575 and now preserved in a private Roman collection (M.T. Autoportrait avec un chien (Autorretrato con Perro Itzcuintli) a été réalisé en 1938 par la peintre mexicaine autodidacte Frida Kahlo (1907-1954), … Fontana’s earliest self-portrait is quite unique, since it was created as a marriage portrait. “Women in Frames: The Gaze, the Eye, the Profile in Renaissance Portraiture.” History Workshop. In addition, Fontana is interested in suggesting her wealth; she depicts herself in lavish clothing and she is sitting in an armchair (poor people owned only stools at this time).7. The red knot that is placed on the instrument was a symbol of love and betrothal at the time, which can also tie into Fontana’s interest in maintaining social decorum. Auto-portrait à l’épinette, Lavinia Fontana, huile sur toile, 1577, Rome, Accademia Nazionale di San Luca . all, Lavinia Fontana’s ‘Self-Portrait’ and Gender.”, RT @geminicat7: ✨ Until tomorrow ... They attempted to establish painting as a liberal art rather than a superfluous artistic hobby. 6 Name also appears in art history texts as Alonso Chaçon and Alfonso Chacon. While emphasizing good social status was important for all painters during the Renaissance, it was especially important for females whose self portraits were often the first image seen by their future husbands. Print. 29 mars 2018 - Cette épingle a été découverte par Dmitriy Makeev. The red knot that is placed on the instrument was a symbol of love and betrothal at the time, which can also tie into Fontana’s interest in maintaining social decorum. L’autoportrait suppose en principe l’utilisation d’un miroir, instrument qui se développe à partir du XVe siècle. Excellent post, which I didn’t see the first time. Quand elle épouse, en 1557, le peintre Gian Paolo Zappi, son talent est déjà reconnu et elle réalise les portraits de notables de Bologne. Re your note that Fontana was careful in how she had presented herself, in order to meet societal expectations. XVIIIe 14siècles, notamment chez Sofonisba Anguissola , Lavinia Fontana (fig. Fontana also chooses to emphasize her accomplishments and abilities: she is playing an instrument and her easel is distinctly placed in the background. Elle est née à Bologne , fille de Prospero Fontana , qui était un peintre de l' école de Bologne . In the portrait she sent Ciacon, Fontana is seated at a desk with books, statues and paper in front of her. Dans le premier peint en 1577 nous la retrouvons installée devant un clavecin, les mains s’agitant au-dessus du clavier. Charles Rennie Mackintosh, 1925, RT @WMGallery: Are you thinking about learning a new skill during lockdown? 5 Bohn, 254. 6. 1 Catherine King, “Italian Artists in Search of Virtue, Fame, and Honour c. 1450-c.1650,” in The Changing Status of the Artist, eds. Le Jour ni l'Heure 3744 : Lavinia Fontana Zappi, 1552-1614, autoportrait (? Découvrez vos propres épingles sur Pinterest et enregistrez-les. firstname.lastname@example.org. Since Renaissance women weren’t always in control of how they were portrayed in art (women were often depicted by male artists), I like to see how a female artist represented herself when she did have control over her image. I hope Lavinia was able to continue to express her individuality in spite of societal obligations. Mar 16, 2015 - Find and follow posts tagged lavinia fontana on Tumblr. 4 Jul. Le Jour ni l'Heure 3744 : Lavinia Fontana Zappi, 1552-1614, autoportrait (? 17 King, Catherine. Lavinia Fontana. Fille du peintre maniériste, Prospero Fontana, c’est avec lui que Lavinia fait son apprentissage. She was born in Bologna, the daughter of Prospero Fontana, who was a painter of the School of Bologna. Renaud Camus has uploaded 25646 photos to Flickr. Artemisia Gentileschi , Autoportrait comme allégorie de la peinture , années 1630, Collection royale . Hi Dilshat! She is regarded as the first woman artist, working within the same sphere as her male counterparts, outside a court or convent. As I have been writing this post and thinking about Fontana, I’ve come to a realization as to why I am drawn to female self-portraits. Lavinia Fontana (Bolonia, bautizada el 24 de agosto de 1552-Roma, 11 de agosto de 1614) fue una pintora italiana del primer barroco.Fue una de las pintoras más importantes de su época, dirigió su propio taller  y fue pintora oficial de la corte del papa Clemente VIII.. Renaud Camus has uploaded 25646 photos to Flickr. Lavinia Fontana (August 24, 1552 – August 11, 1614) was a Bolognese Mannerist painter active in Bologna and Rome.
Fontana (Jean), né à Mili près de Côme en 1540, mort en 1614, fut un des architectes de l'église de Saint-Pierre de Rome, mais excella surtout dans l'hydraulique. (10).
Previously, in 1998, I presented a lecture to an international symposium at the National Museum of Women in the Arts, Washington, D.C. (May 9, 1998) on “Lavinia Fontana’s Self-Portraits,”where I unveiled this symbolism. I think blog posts are my equivalent for self-portraits, especially since I’m not an artist! I have seen the “wedding” portrait first time several months ago, and was intrigued by the role of the servant. 2 Bohn, Babette. Antonietta Gonzalez (as well as her father, two sisters and other family members) had hypertrichosis (also … I have thought about Hasan a lot lately, particularly because I think he would enjoy some of the topics I am exploring with my students. Découvrez vos propres épingles sur Pinterest et enregistrez-les. 18.2 (2004): 239-86. Web. In fact, the painting could be viewed in its entirety as a love knot– as a gift for the bethrothed.” (8) The expensive musical instrument suggests, perhaps falsely, that the Fontana family is financially stable, if not downright wealthy. Lavinia Fontana va juste après Sofonisba Anquissola dans la liste des célèbres peintres de l´époque de la Renaissance. D.874.15 À la fin de la Renaissance, Lavinia Fontana est une artiste réputée et l’une des toutes premières femmes Renaud Camus has uploaded 25965 photos to Flickr. Agreed totally, since an artist who did not meet societal expectations was unlikely to find a market for his/her paintings. Continuing the family business was typical at the time. your own Pins on Pinterest See more ideas about fontana, female artists, portrait. incorrect it was not Bohn, but I, who was the first scholar to observe, associate, and published on the red knot on the clavichord as a symbol of love. I am currently in the process of restoring the content of 3pipe.net, I was lacking the technical knowledge but have now found someone to assist with that. Ms. Celalettin has written back to me just now and this is what she has to say: Thank you for reaching out to me and for the condolances, Hasan Niyazi is my brother. Therefore, painting is to be preferred to all other occupations.” (1), Throughout the Renaissance, artists struggled with how to maintain a social and intellectual status through their profession.
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